Saturday, 28 February 2009
Preliminary Exercise - The Editing
Thursday, 26 February 2009
Preliminary Exercise (TAKE 2)
Friday, 13 February 2009
Rear Window - Alfred Hitchcock
Wednesday, 11 February 2009
Sorry guys/girls this is a bit late...
Today we worked upon our Preliminary exercise. The exercise had to demonstrate understanding of continuity and math-on-action (all the shots flowed together and made sense). Shot/reverse shot an the 180-degree rule.
Shaunica wasn't in today and neither was any of the people in Shelly's group so we formed a mini group of Me, Carla and Shelly. So in our little group Shelly wanted to do the filming but because I already had knowledge on how to use the camera so I spent quite a long while explaining to her how to use the camera. Then we started filming our scene with Me and Carla acting out a scene whereby I came into a room and had a conversation with Carla. We found filming a lot of fun and managed to produce a good piece of work. We still have to edit our short film but i think it will come together really well.
Wednesday, 4 February 2009
Alfred Hitchcock
- The "Merry Widow" song that is in the credits continues when we get shown the first shot of the industrial area this is a 'Sound Bridge'.
- Most of the shots in the start of this film are edited using dissolves.
- Throughout the scenes of the industrial area and then a poor 'down town' street there is music and it get more dramatic as we see shots of a house, then a window in that house and then a man lying on a bed (which we find out later is the Protagonist - Uncle Charlie).
- The man is holding a cigar in his hand whilst laying on the bed and this porves he is sophisticated and has plenty of money. this is further conformed by pin-striped suit he is wearing.
- There is low key lighting in the room where this man is lying.
- The camera starts moving aroudn to show character detials such as lots of money, some of which is on the floor. This proves that he has money but does not care about it.
- As the blind is closed on him the music once again builds up and becomes much more sinister.
- Later in the clip we saw there is a high angled shot of the 2 men chasing the protagonist and this is also from the protagonists point of view which show the he has the upper hand.
- Then we can see some mirroring because we are then shown a total different place called Santa Rosa which is the opposite to the poor down town city we were just shown. It is the perfect suburban town with big white hoses, expensive cars, everyone look joyous and happy and the music that goes with this scene is very cheerful and light.
- We then see the same set of shot of the house, then a window then (this time) a girl laying on the bed the same way the man had done. This is mirroring the protagonist Uncle Charlie and his nice Charlie.
We then analysed the opening sequence of another Hitchcock film "Vertigo"....
- We see a woman's face and then a eye. This women must have some significant in the film later on.
- The opening credits are full of swirly patterns to reflect the feeling of vertigo.
- The same woman's face then reappears but then goes red which has connotations of passion and danger which also gives us some idea of what may happen later.
- The first shot we see is a close-up of a hand. This hand is then followed by a body of a main, then this man is followed by a police officer, then a detective. The action then starts with a chase and music the music builds up, pace wise.
- The detective is our protagonist and when he falls off the roof we see his fear of heights and this is shown using a "reverse zoom" whereby everything towards us and moves away at the same time.
We then anaylised another Hitchcock film "North by Northwest"...
- Opening credits are lines across the screen that then dissolve and become the side of a building.
- Unlike most of the other Hitchcock this film is heavy on dialogue at the very start of the film.
- We meet the protagonist who is a cocky, confident character. He has alot of women that he doesn't really care about. He has alot of money and a very good relationship with his mother, who is dominating character and this is present in most Hitchcock films.
Sunday, 1 February 2009
Thriller conventions + "Se7en" opneing titles + "Shadow of a Doubt" - Alfred Hitchcock
Today I'm goping to tlak through the genre "Thriller" conventions. The thriller convention are:
- A crime at the core of the narrative (often murder but not always).
- A complex narrative structure, with false paths, clues and resolutions.
- A narrative pattern of establishing enigmas (problems) which the viewers expecs to be resolved.
- A protagonsit (the main character) who is systematically dis-empowered and drawn into a complex web of intrigue by the antagonist (the person aposing the protagonist).
- Extraodinary events happening in ordinary situations.
- Themes of identity.
- Themes of mirroring.
- Themes of voyeurism (looking at other poeple).
- Protagonist with a 'flaw' which is exploited by the anatagonist.
- Titles often reflect an aspect of the pro/antagonist's psychological state.
- There is often a scene near the end of the film in which the protagonist is in peril.
- Mise en scene which echoes/mirrors the protagonists plight.
During class time we anaylised the opening credits of the thriller "Se7en", here are the notes I made:
- Edgy titles, they never stay still they are continuous moving or shaking on the screen.
- Very good use of music as it is full of high pitch squaks and sounds.
- There is repetative pictures and the camera is never still its seems to be shaking and jumping.
- Most of the shot dissolve into the next shot create this feeling of a bond between the pictures.
- Definatly shows the state of the anatagonists mind as it is not psychologically sound.
We then watched the first 10-15 minutes of Alfred Hitchcocks - "Shadow of a Doubt". This film follows the thriller conventions almos perfectly. We see the protaganists from the very start and he is almost always covered in some form of shadow. During one scene shadow falls over his face and he almost comes to life, this therefore gaves us the idea that we has darkness wihtin his character. The opening credits to this film are in stark contrast to the first scene we see. The opening credits are absed around a posh ball but upon asking my teacher about this he told me that the music come from an old opera and the music was called the "Merry Widow" which did have some releance in the film itself.